![]() ![]() However, a kneaded eraser is not strong enough to remove colored pencil applications from the surface, so this is where the vinyl eraser comes in. I suggest having both a kneaded eraser and a vinyl one.Ī kneaded eraser is great for “lifting” an underlayment of graphite before applying colored pencils to the surface. Kneaded Eraser and/or Vinyl EraserĮvery colored pencil artist needs a couple of erasers. If the blade becomes dull, I can easily replace it, or just pick up another sharpener all together. This is why I use a metal hand-held pencil sharpener. These shavings create havoc for an electric pencil sharpener and can cause it to stop working. Wax-based colored pencils produce wax-based shavings that can get caught in the blades of an electric pencil sharpener. However, an electric pencil sharpener can be ruined by colored pencils. It may be tempting to use that shiny electric pencil sharpener that sharpens pencils to a precise point in a matter of a second. It features a heavy tooth, so multiple applications of color are required (and so is a bit of patience). This paper is designed for pastel applications, but also preforms well with colored pencils. There are lots of toned paper choices, but my favorite is Canson’s Mi-Teintes paper. Working on a toned surface provides a neutral starting point for adding color, allowing you to work the values darker or lighter. You may also choose to allow parts of the paper to show through the finished drawing, with specks of color that enhance the overall appearance. With any colored medium, you may find it an advantage to work on a toned surface. It is a bit pricer and it is hard to find in some art stores, so I tend to stick with Bristol paper. Illustration board provides a surface that is similar to Bristol paper, but is backed with a rigid core. Illustration board is also a great surface for colored pencil applications. The slight surface texture accepts the colored pencil applications with ease, allowing multiple layers of color. I prefer to work with the vellum surface which does have a slight tooth. There are two different surface textures (tooth) to choose from – smooth or vellum. My favorite surface on which to work is Bristol paper. You’ll need a higher quality surface that is better suited to accept multiple applications of color. drawing paper in a sketchbook will accept the marks produced by colored pencils, it won’t produce the professional results that we’re after. You also need a quality to surface to work on. ![]() Bristol Paper / Illustration Board / Toned Paper If you want to learn my opinion on each brand that I have tried, you can check out the colored pencil comparison chart. Derwent Studio Colored Pencils (wax-based).Faber Castell Polychromos Color Pencils (oil-based).A couple of other great brands out there include: Of course, there are lots of great brands of pencils out there and I’ve tried many of them. But despite these issues, they are still “far and away”, my favorite. ![]() They are wax-based, so wax bloom could be an issue, and many people complain about how easy it is to break the core of the pencil. These pencils are soft and layer easily, producing rich colors quickly. ![]() My favorite brand is Prismacolor Premier. (Some of the following links are affiliate links which means we earn a small commission if you purchase at no additional cost to you.) Using a lower quality brand may just lead to unnecessary frustration. You cannot expect to use sub-par materials and get professional results.Įven if you are just starting out, I would suggest going right for the higher quality pencils. The quality of the brand of colored pencil that you use greatly affects the results that you will see in your drawing. You must have colored pencils to create a colored pencil drawing. I may not use them for every drawing that I create, but they are an essential part of any colored pencil artist’s tool box. Whether you’re just starting out with colored pencils, or if you’ve been at it for a while, there are several materials and supplies that I consider to be “must haves”.Įvery time I sit down to work on a drawing, I make sure that each of these supplies are within my reach. ![]()
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